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Los Angeles, CA – In a stunning legal escalation, billionaire entrepreneur Elon Musk has filed a defamation lawsuit against Joy Behar, co-host of ABC’s daytime talk show The View, and the show’s producers, seeking $70 million in damages. The lawsuit, lodged in a California court on March 20, 2025, accuses Behar and the program of making “false and malicious” statements about Musk that allegedly tarnished his reputation and caused significant personal and professional harm. This high-stakes legal battle marks a dramatic clash between one of the world’s most prominent innovators and a fixture of American television, spotlighting the contentious intersection of free speech, media accountability, and public personas.
The lawsuit stems from comments Behar made during a recent episode of The View, where she labeled Musk as “pro-apartheid” and an “enemy of the United States” while discussing his growing influence in political and economic spheres. Behar’s remarks, delivered during a heated segment about Musk’s relationship with President Donald Trump, suggested that his South African upbringing during apartheid shaped a problematic worldview. “He was born under apartheid in South Africa, so he has that mentality going on—he was pro-apartheid, as I understand it,” Behar stated, according to the legal filing. Musk’s attorneys argue that these claims are baseless, inflammatory, and intended to smear his character, pointing out that Behar later backtracked on air, admitting, “I don’t really know for sure if he was,” before jokingly adding, “So don’t be suing me, okay, Elon?”
That plea, however, appears to have fallen on deaf ears. Musk’s legal team asserts that Behar’s initial statements were not only reckless but also carried a “malicious intent” to damage his reputation, given her platform’s wide reach and influence. The $70 million figure, they argue, reflects the scale of harm inflicted on Musk’s public image and the potential ripple effects on his business ventures, including Tesla, SpaceX, and X Corp. “Ms. Behar and The View knowingly broadcast falsehoods to millions of viewers, portraying Mr. Musk as a supporter of a racist regime and a threat to American values—accusations that are demonstrably untrue,” the lawsuit reads. “This was not a mere slip of the tongue but a calculated attack.”
Musk, 53, was born in Pretoria, South Africa, in 1971, during the apartheid era, a system of racial segregation that lasted until the early 1990s. He left the country at 17 to attend university in Canada and later became a naturalized U.S. citizen. While Musk has occasionally spoken about his childhood, he has never publicly endorsed apartheid, and his family has refuted claims tying him to its ideology. His mother, Maye Musk, once wrote on X that opposing apartheid publicly in South Africa at the time could lead to imprisonment, suggesting the family navigated a complex environment rather than supported it. Musk’s legal filing cites this context, arguing that Behar’s comments ignored historical nuance and fabricated a narrative for sensational effect.
The lawsuit has ignited a firestorm of reactions. Supporters of Musk, particularly on X, have rallied behind him, with posts calling Behar’s remarks “disgraceful” and urging him to “hold the media accountable.” Critics, meanwhile, see the suit as an attempt to silence free expression. “Joy Behar was giving an opinion, not stating a legal fact—suing over this is absurd,” one X user posted. Legal experts suggest the case could hinge on whether Behar’s statements qualify as protected opinion under U.S. law or cross into defamation by presenting unverifiable assertions as truth.
For Behar and The View, the stakes are high. Known for her sharp tongue and unapologetic commentary, the 82-year-old comedian has weathered controversies before, but a $70 million lawsuit from one of the world’s richest men is a new frontier. Neither Behar nor ABC has issued an official response, though sources close to the show say producers are preparing a vigorous defense, potentially arguing that her on-air retraction mitigates any damage. Still, a loss could set a precedent, chilling outspoken commentary on public figures.
The lawsuit stems from comments Behar made during a recent episode of The View, where she labeled Musk as “pro-apartheid” and an “enemy of the United States” while discussing his growing influence in political and economic spheres. Behar’s remarks, delivered during a heated segment about Musk’s relationship with President Donald Trump, suggested that his South African upbringing during apartheid shaped a problematic worldview. “He was born under apartheid in South Africa, so he has that mentality going on—he was pro-apartheid, as I understand it,” Behar stated, according to the legal filing. Musk’s attorneys argue that these claims are baseless, inflammatory, and intended to smear his character, pointing out that Behar later backtracked on air, admitting, “I don’t really know for sure if he was,” before jokingly adding, “So don’t be suing me, okay, Elon?”
That plea, however, appears to have fallen on deaf ears. Musk’s legal team asserts that Behar’s initial statements were not only reckless but also carried a “malicious intent” to damage his reputation, given her platform’s wide reach and influence. The $70 million figure, they argue, reflects the scale of harm inflicted on Musk’s public image and the potential ripple effects on his business ventures, including Tesla, SpaceX, and X Corp. “Ms. Behar and The View knowingly broadcast falsehoods to millions of viewers, portraying Mr. Musk as a supporter of a racist regime and a threat to American values—accusations that are demonstrably untrue,” the lawsuit reads. “This was not a mere slip of the tongue but a calculated attack.”
Musk, 53, was born in Pretoria, South Africa, in 1971, during the apartheid era, a system of racial segregation that lasted until the early 1990s. He left the country at 17 to attend university in Canada and later became a naturalized U.S. citizen. While Musk has occasionally spoken about his childhood, he has never publicly endorsed apartheid, and his family has refuted claims tying him to its ideology. His mother, Maye Musk, once wrote on X that opposing apartheid publicly in South Africa at the time could lead to imprisonment, suggesting the family navigated a complex environment rather than supported it. Musk’s legal filing cites this context, arguing that Behar’s comments ignored historical nuance and fabricated a narrative for sensational effect.
The lawsuit has ignited a firestorm of reactions. Supporters of Musk, particularly on X, have rallied behind him, with posts calling Behar’s remarks “disgraceful” and urging him to “hold the media accountable.” Critics, meanwhile, see the suit as an attempt to silence free expression. “Joy Behar was giving an opinion, not stating a legal fact—suing over this is absurd,” one X user posted. Legal experts suggest the case could hinge on whether Behar’s statements qualify as protected opinion under U.S. law or cross into defamation by presenting unverifiable assertions as truth.
For Behar and The View, the stakes are high. Known for her sharp tongue and unapologetic commentary, the 82-year-old comedian has weathered controversies before, but a $70 million lawsuit from one of the world’s richest men is a new frontier. Neither Behar nor ABC has issued an official response, though sources close to the show say producers are preparing a vigorous defense, potentially arguing that her on-air retraction mitigates any damage. Still, a loss could set a precedent, chilling outspoken commentary on public figures.
Elon Musk “plays big” by renting the entire land of the world’s largest film studio to launch a taxi
In a bold and audacious move that reflects his penchant for grand ventures, Elon Musk has recently made headlines by renting the entire land of the world’s largest film studio to launch an innovative taxi service. This film studio, renowned for its sprawling infrastructure and rich history of producing blockbuster films, provides an unprecedented backdrop for Musk’s latest venture, which aims to revolutionize urban transportation. Known for his willingness to think outside the box, Musk’s decision to secure such a vast space showcases his ambition to create an integrated system where Tesla vehicles can operate autonomously in a controlled environment, ultimately testing the limits of self-driving technology.
The concept behind this unprecedented taxi service revolves around leveraging cutting-edge technology to establish a fleet of fully autonomous electric taxis, allowing users to summon rides with just a tap on their smartphones. By utilizing the film studio’s expansive lots and intricate road systems, Musk envisions a virtual testing ground where the vehicles can be fine-tuned for maximum efficiency and safety before deploying them in urban areas. This not only highlights the logistical brilliance of using a pre-existing, versatile location but also emphasizes Musk’s commitment to ensuring that the technology is reliable and well-tested in a relatively risk-free environment.
Moreover, Musk’s decision to rent out such a significant space also symbolizes his understanding of the importance of branding and spectacle in today’s world. The film industry is synonymous with innovation and creativity, and by associating his new venture with the glitz and glamour of Hollywood, Musk is poised to capture the imagination of potential investors and customers alike. The media buzz surrounding the launch will undoubtedly enhance the visibility of the service, creating a narrative that blends entertainment with groundbreaking technology—an intersection that has become a hallmark of Musk’s various endeavors.
As the launch date approaches, Musk’s ambitious project raises intriguing questions about the future of transportation. Will this taxi service redefine urban mobility, making it more accessible and sustainable? Can Musk’s vision of a fully autonomous transport network become a reality? The answers are still unfolding, but the spectacle of renting an entire film studio for such a venture demonstrates Musk’s bold approach to entrepreneurship. It encapsulates his belief that pushing boundaries and taking calculated risks are essential components of innovation.
Ultimately, by playing big and seizing the opportunity to launch his taxi service in such a unique setting, Musk not only sets the stage for potential success but also challenges conventional notions of how transportation can evolve in a rapidly changing world. His audacity may well pave the way for new possibilities in urban infrastructure, prompting cities worldwide to rethink how they approach mobility in the era of automation and sustainability. With every bold step he takes, Musk continues to inspire future generations of innovators to dream big and pursue transformative ideas that could reshape our world.
The concept behind this unprecedented taxi service revolves around leveraging cutting-edge technology to establish a fleet of fully autonomous electric taxis, allowing users to summon rides with just a tap on their smartphones. By utilizing the film studio’s expansive lots and intricate road systems, Musk envisions a virtual testing ground where the vehicles can be fine-tuned for maximum efficiency and safety before deploying them in urban areas. This not only highlights the logistical brilliance of using a pre-existing, versatile location but also emphasizes Musk’s commitment to ensuring that the technology is reliable and well-tested in a relatively risk-free environment.
Moreover, Musk’s decision to rent out such a significant space also symbolizes his understanding of the importance of branding and spectacle in today’s world. The film industry is synonymous with innovation and creativity, and by associating his new venture with the glitz and glamour of Hollywood, Musk is poised to capture the imagination of potential investors and customers alike. The media buzz surrounding the launch will undoubtedly enhance the visibility of the service, creating a narrative that blends entertainment with groundbreaking technology—an intersection that has become a hallmark of Musk’s various endeavors.
As the launch date approaches, Musk’s ambitious project raises intriguing questions about the future of transportation. Will this taxi service redefine urban mobility, making it more accessible and sustainable? Can Musk’s vision of a fully autonomous transport network become a reality? The answers are still unfolding, but the spectacle of renting an entire film studio for such a venture demonstrates Musk’s bold approach to entrepreneurship. It encapsulates his belief that pushing boundaries and taking calculated risks are essential components of innovation.
Ultimately, by playing big and seizing the opportunity to launch his taxi service in such a unique setting, Musk not only sets the stage for potential success but also challenges conventional notions of how transportation can evolve in a rapidly changing world. His audacity may well pave the way for new possibilities in urban infrastructure, prompting cities worldwide to rethink how they approach mobility in the era of automation and sustainability. With every bold step he takes, Musk continues to inspire future generations of innovators to dream big and pursue transformative ideas that could reshape our world.
President Donald Trump unloaded on Democratic Texas Rep. Jasmine Crockett Wednesday over her recent slam of Texas Gov. Greg Abbott for using a wheelchair, calling her a “lowlife.”
During an interview with conservative radio host Vince Coglianese on Wednesday, Trump reacted to Crockett’s insult of the wheelchair-bound governor as “Governor Hot Wheels” this week, which led to sharp bipartisan criticism of the far-left congresswoman.
“But she’s a lowlife, and she’s a very low-IQ person,” the president told the host, adding, “I don’t imagine the Democrats are going to have a person like that running their party.”
Crockett coined the insult for Abbott during a Human Rights Campaign dinner in Los Angeles on Saturday. While speaking at the event, she stated, “We in these hot a– Texas streets, honey. Y’all know we got Governor Hot Wheels down there, come on now! And the only thing hot about him is that he is a hot a– mess, honey!”
The comments generated outrage among conservatives on social media, which Crockett responded to on Tuesday afternoon, denying she was mocking the governor for being in a wheelchair. Abbott was left paralyzed at 26 when he was hit by a falling tree while jogging.
She posted on X, “I wasn’t thinking about the governor’s condition—I was thinking about the planes, trains, and automobiles he used to transfer migrants into communities led by Black mayors, deliberately stoking tension and fear among the most vulnerable.”
Abbott responded during an episode of Fox News Channel’s “Hannity,” telling host Sean Hannity, “It’s another day and another disaster by the Democrats. The reality is they have no vision, no policy. They have nothing to sell but hate, and Americans are not buying it.”
The rushing river roared as the girl struggled against the powerful current, her desperate cries barely audible over the deafening water. Onlookers gasped in horror as she was dragged further downstream, her arms flailing for anything to hold onto. Just when it seemed all hope was lost, a rescuer leaped into action, braving the treacherous waters to reach her. The tension was unbearable as he fought the relentless flow, gripping her tightly before pulling her towards safety. With one final, heart-pounding effort, they emerged from the river’s grasp, leaving the crowd breathless at the terrifying rescue they had just witnessed.
Elon Musk’S Sr-72 Darkstar Is Ready To Soar: The Futuristic Aircraft Set To Revolutionize Air Travel
In the world of aviation, few names carry the same weight as Elon Musk. Known for his groundbreaking ventures in electric vehicles with Tesla, space exploration with SpaceX, and innovative transportation solutions like the Hyperloop, Musk has always been a visionary. Now, he’s set to make waves in a new frontier of aviation with his SR-72 Darkstar—a cutting-edge aircraft poised to redefine the future of air travel.
The SR-72 Darkstar is a hypersonic aircraft that has been under development for several years. Designed to travel at speeds greater than Mach 5 (five times the speed of sound), the Darkstar will enable passengers to reach destinations faster than ever before, drastically reducing flight times. For example, a flight from New York to Tokyo that typically takes over 13 hours could be completed in under two hours.
While hypersonic flight is not entirely new—NASA has been experimenting with hypersonic technology for decades—the SR-72 Darkstar represents a significant leap forward in both design and practicality. Unlike traditional jet engines, which rely on atmospheric pressure to generate thrust, the Darkstar employs a combination of advanced propulsion systems, including rocket-based engines, to achieve the extreme speeds necessary for hypersonic flight.
The SR-72 Darkstar is a hypersonic aircraft that has been under development for several years. Designed to travel at speeds greater than Mach 5 (five times the speed of sound), the Darkstar will enable passengers to reach destinations faster than ever before, drastically reducing flight times. For example, a flight from New York to Tokyo that typically takes over 13 hours could be completed in under two hours.
While hypersonic flight is not entirely new—NASA has been experimenting with hypersonic technology for decades—the SR-72 Darkstar represents a significant leap forward in both design and practicality. Unlike traditional jet engines, which rely on atmospheric pressure to generate thrust, the Darkstar employs a combination of advanced propulsion systems, including rocket-based engines, to achieve the extreme speeds necessary for hypersonic flight.
Turning Marble and Concrete into Stunning 3D Illusions explores the fascinating art of transforming traditional materials like marble and concrete into mind-bending three-dimensional designs. By skillfully manipulating these solid surfaces, artists and designers create illusions that challenge our perception, making flat textures appear to come to life with depth and movement. Through intricate carving, painting, and innovative techniques, what once seemed like rigid, static materials are brought to life in ways that evoke wonder and surprise. This approach blurs the lines between reality and art, turning everyday surfaces into captivating optical illusions that intrigue and captivate the viewer's imagination.
The Golden Retriever is being bathed by its owner, with its golden fur soaking wet but still looking absolutely adorable. Its big, round eyes gaze up at the owner with pure happiness, and its ears perk up as if eagerly waiting for a gentle pat. Every time the water falls, the dog lifts its head slightly, its mouth open in a wide, joyful grin, as if enjoying a relaxing moment. The sweet, playful expression on its face makes everyone smile, and it’s impossible not to fall in love with this gentle and lovable pup
Casting a Fire Ant Colony with Molten Aluminum refers to a process where molten aluminum is poured into an active fire ant nest, creating a detailed, permanent cast of the colony’s structure. As the molten metal fills the tunnels and chambers of the nest, it hardens into a solid form, capturing the intricate layout of the ant colony. The result is a striking, often eerie metallic sculpture that showcases the complexity of the ants' underground world. This method, though visually captivating, has sparked ethical debates, as it destroys the colony and harms the ants. Nonetheless, such casts have gained attention online for their unusual and fascinating portrayal of nature's architectural wonders.
Casting a Fire Ant Colony with Molten Aluminum refers to a process where molten aluminum is poured into an active fire ant nest, creating a detailed, permanent cast of the colony’s structure. As the molten metal fills the tunnels and chambers of the nest, it hardens into a solid form, capturing the intricate layout of the ant colony. The result is a striking, often eerie metallic sculpture that showcases the complexity of the ants' underground world. This method, though visually captivating, has sparked ethical debates, as it destroys the colony and harms the ants. Nonetheless, such casts have gained attention online for their unusual and fascinating portrayal of nature's architectural wonders.
Casting a Fire Ant Colony with Molten Aluminum refers to a process where molten aluminum is poured into an active fire ant nest, creating a detailed, permanent cast of the colony’s structure. As the molten metal fills the tunnels and chambers of the nest, it hardens into a solid form, capturing the intricate layout of the ant colony. The result is a striking, often eerie metallic sculpture that showcases the complexity of the ants' underground world. This method, though visually captivating, has sparked ethical debates, as it destroys the colony and harms the ants. Nonetheless, such casts have gained attention online for their unusual and fascinating portrayal of nature's architectural wonders.